Preview up to 100 items from this collection below. More than 2,000 images reveal Seattle’s evolution. Early photos capture Seattle’s pioneers, the Great Fire of 1889 and the Denny Regrade along with historical buildings, streets and landmarks.
Earshot Jazz, v.10, no.11, Nov. 1994
This issue acts as the November program for the World Jazz Festival 1994. It begins with an article on Geoff Stone and Mike Harper and their interview with Mike Marlin, page 1. This issue holds notes on Ron Hudson, Bill Anthony, Andrew Drury, Jim Noley, Wayne Horvitz, Paul deBarros, the Garfield Jazz Band, Greg Williamson, Hans Teuber, Doug Miller, Don Lanphere, Bud Young, Gaye Anderson, Jimmy Allen, Pacific Desserts, Laura May Abraham, Roadside Attraction, Sonny Booker, Salute a Citta, and Joan Smallwood, page 2. An announcement about continuing the Duke Ellington Sacred Concerts is on page 2. On page 3, Lynette Westendorf sends appreciation to all of the contributors and donors of the World Jazz Festival. On page 6, Joseph Murphy discusses the musicianship and experience of Ornette Coleman. On page 7, Sandra Burlingame features Jerry Granelli in an artist biography. Steve Robinson relates a story about the patron-performer relationship on a specific night in October at the Rainbow venue, page 8. On page 9, Keith Raether describes the new Perpetual Motion series at Tractor Tavern in Ballard. The Pacific Jazz Institute has an announcement of an increase in their activity on page 9. On page 11, Annabelle Wilson and Sandra Burlingame write performance previews for Jim Knapp, Stephanie Skura, and Bud Shank. Earshot announces upcoming artists and groups performing in their Living Spirit of Jazz series on page 13, including Dave Frishberg, Savoy Swing Band, Freeplay, Kendra Shank Quartet, and Babkas. On page 15, Chuck Metcalf, Mike Marlin, and Roberta Penn review live performances of Coltrane Time, the Andrew Drury Project, Lincoln Briney, and Combo Craig. Earshot Jazz reviews the albums Another Place by Jerry Granelli, Art and Aviation 1 by Jane Ira Bloom, Afterglow by Kendra Shank, Freeplay by Freeplay, The Real Howard Roberts by Howard Roberts, How 'Bout Now by Tall Jazz, On the Shoulders of Giants by Gordon Lee, Leroy Vinnegar, Dick Berk, Warren Rand, I Told You So by Bud Shank, Going Back Home by the Ginger Baker Trio, Summit Conference by Reggie Workman, The Talk of the Town by Bennie Wallace, and Elevations by Lisle Ellis, page 20. Cover art is a photograph of Ornette Coleman on saxophone.
Identifier: spl_ej_571712_1994_10_11
Date: 1994-11
View this itemView north from Pine St., 1885
Transcribed from photograph: "Views. From Pine St. Vicinity. About 1885. Looking North to Lake Union."
Identifier: spl_shp_5181
Date: 1885
View this itemDr. Maynard House at 3045 64th Ave SW, ca. 1950
Transcribed from photograph: "Houses. Maynard, Dr. Originally stood near the old Stockade Hotel, now located at 3045 64th S.W. Oldest house in Seattle. Build 1855. Moved in 1922."
Identifier: spl_shp_19575
Date: 1950
View this itemPacific Science Center arches, ca. 1962
Transcribed from photograph: "Seattle. Seattle Center. Science Center. Arches, fountains and pool. Architects: Yamasaki Minoru, and associates; Naramore, Bain, Brady & Johanson."
Identifier: spl_shp_21657
Date: 1962
View this itemSt. Mark's Cathedral, ca. 1950
Transcribed from photograph: "Churches. St. Mark's cathedral (Episcopal). Exterior from southeast, 1245 10th Avenue North. 1929. Gothic Style. Arthur Brown (San Francisco), architect."
Identifier: spl_shp_20027
Date: 1950
View this itemHomes on N. 76th St., east of Aurora Ave., 1953
Transcribed from photograph: "Houses. Row of builders' houses. North 76th Street, east of Aurora Ave. Built in the 1920's. Looking north. Photo by Werner Lenggenhager, 1953." Home at far right is 1119 N 76th St, Seattle, WA 98103. Note pasted on verso of photograph: "Row of Builders Houses. N 76th Street, just East of Aurora Avenue. South of Street facing north. 1920's. This is a group of similar, substantial, middle-income homes with their neat green lawns, evergreen shrub foundation planting, and varied roofs and porches continuing on down the street exemplified the typical Seattle neighborhood development. The white painted clapboard siding brick fireplaces, unused front yards with service, play yards and garages off the rear alley are particularly representative. The houses were obviously variations of one stock plan, fitting a certain unity to the street. They are good homes with hardwood floors, full basements and hot air heating systems. Many of today's developments still carry on in the spirit of this era, although the value of developing a more complete neighborhood environment with site developments planned for modern living, is having its influence."
Identifier: spl_shp_22440
Date: 1953
View this itemFire origin from 1st Ave. and Spring St., June 6, 1889
Transcribed from photograph: "Fire. June 6, 1889. At place of origin. Front Street looking South from Spring Street. Fire began at southwest corner of Front Street and Madison Street. Center: dome of Frye's Opera house. M. R. Maddock's building is the white building."
Identifier: spl_shp_5097
Date: 1889-06-06
View this itemView from 2nd Ave. and Pike St., 1870
Transcribed from photograph: "Views. From Second Avenue and Pike Street. 1870. 1. A. A. Denny house. 2. Yesler's mill and wharf. 3. Front Street. 4. Union Street."
Identifier: spl_shp_5099
Date: 1870
View this itemGeorge Tsutakawa working on "Naramore Fountain," 1967
Transcribed from photograph: "Seattle Fountains. Naramore Fountain. Naramore fountain, designed by George Tsutakawa. 1967, Artist at work in his studio, Mt. Baker district, Seattle. Photo by the Seattle Times."
Identifier: spl_shp_35070
Date: 1967
View this itemSt. Spiridon, Orthodox Russian-American cathedral, ca. 1950
Transcribed from photograph: "Seattle Churches. St. Spiridon, Russian-American. Orthodox cathedral of. Exterior. 400 Yale North. Side view of cupolas."
Identifier: spl_shp_22339
Date: 1950
View this item